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RME Babyface Pro FS Audio Interface
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RME Babyface Pro FS Audio Interface
MM Market
Pickup available, usually ready in 2-4 days
Al Shoala Building, Near Deira City Center, Port Saeed Area
Techniline Electronics Showroom, Ground Floor, Block E
Dubai DU
United Arab Emirates
Pay as low as Dhs. 980.25\/mo. without fees with Tabby.
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KEY FEATURES
- 4 x Analog I/O
- 2 x Line/Inst Input
- 2 x XLR Mic/Line
- 2 x Phones Output
- 1 x ADAT I/O
- 1 x MIDI I/O
- TotalMix FX
- Class Compliant Mode
- +19 / +4 dBu Switch
DESCRIPTION
Meet the world’s most versatile, portable and expandable audio interface that delivers the best quality audio,
wherever your creative journey takes you.
The 2nd generation of the Babyface Pro improves all elements – again:
Sound quality, MicPres, Instrument inputs, lowest-noise Headphone/IEM outs and ultra-low latency.
All elements are industry-leading representatives of its kind – still combined in a fully bus-powered mobile interface, working with all features at the same even on legacy USB ports!
The Babyface Pro FS not only provides RME´s new SteadyClock FS pro audio clock with FemtoSecond accuracy. The ultra-compact box inherits now the same highest quality analog conversion and uses the same headphone preamp technology output op-amps as ADI-2 Pro now. It comes with an USB-C cable and provides a newly K-Slot for theft protection.
SPECIFICATIONS
|
ANALOG AD, Microphone/Line 1-2 |
Input: XLR, electronically balanced Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD Signal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz With PAD active : -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz THD: < -112 dB, < 0.00024 % THD+N: < -108 dB, < 0.00035 % THD @ 30 dB Gain: < -115 dB, < 0.00016 % THD+N @ 30 dB Gain: < -100 dB, < 0.001 % Channel separation: > 110 dB Gain range: -11 dB up to +65 dB Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu |
| AD, LINE/INSTRUMENT IN 3-4 As Microphone/Line 1-2, but: |
Input: 6.3 mm TS jack, unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: < 3 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: < 2 Hz – 92 kHz Maximum input level @+4 dBu, Gain 0 dB: +13 dBu Maximum input level @-10 dBV, Gain 9 dB: -5 dBu |
| DA, Line Out 1-2 |
Dynamic range (DR): 115 dB RMS unweighted, 118 dBA Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz THD: - 106 dB, 0.0005 % THD+N: -102 dB, 0.0008 % Channel separation: > 110 dB Output: XLR balanced Output impedance: 300 Ohm balanced, 150 Ohm unbalanced Output level @ 0 dBFS: Balanced +19 / +4 dBu, unbalanced +13 / -2 dBu DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V |
| DA, PHONES 3/4 AS DA Line Out, but: |
Output: 6.3 mm TRS jack, unbalanced Output impedance: 10 Ohm Output level at 0 dBFS, 1 kOhm load: +13 dBu Max power @ 0.1% THD: 60 mW Signal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA Noise level: -101.8 dBu Output: 3.5 mm TRS jack, unbalanced Output impedance: 0.1 Ohm Output level at 0 dBFS, 1 kOhm load: +7 dBu Max power @ 0.1% THD: 90 mW Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA Noise level: -107 dBu |
| MIDI | 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output 25.3 |
| DIGITAL | Clocks: Internal, ADAT In, SPDIF In Jitter suppression of external clocks: > 50 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz |
| DIGITAL INPUTS ADAT Optical |
1 x TOSLINK Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock Range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (2.4 kHz) |
| SPDIF optical |
1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) |
| DIGITAL OUTPUTS ADAT optical |
1 x TOSLINK Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz |
| SPDIF optical |
1 x optical, according to IEC 60958 Format Consumer (SPDIF) according to IEC 60958 Sample rate 28 kHz up to 200 kHz |
| General | Idle power consumption: 2.8 Watts Typical power consumption: 3.7 Watts Max. power consumption: 5.4 Watts Current at 5 V bus power operation: 700 mA (3.7 Watts) Current at 12 V external power: 313 mA (3.7 Watts) Dimensions (WxHxD): 108 x 35 x 181 mm (4.25" x 1.4" x 7.1") Weight: 680 g ( 1.5 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing |
FAQ
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For product specific warranty information on RME Babyface Pro FS Audio Interface, Call us at +971-558-907-585 or drop an email at help@musicmajlis.co
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MusicMajlis ships RME Babyface Pro FS Audio Interface to Dubai, Abu Dhabi, Sharjah, Ajman, Ras Al-Khaimah, Fujairah & Umm Al Quwain Emirates/Cities in the United Arab Emirates.